Village Voices Nature Notes

Nature Notes is a series of articles written by Jeremy Mynott and published monthly in Village Voices, the local magazine for Shingle Street and nearby villages.

Village Voices Nature Note: Daffodil Time

01 Mar 2022
Florists make great play of the tradition of birthday flowers so that they have something new to promote each month, but some of their monthly choices seem at odds with the actual emergence of wild flowers through the seasons. Carnations in January, for example? I look out for aconites and snowdrops then, but we can surely all agree that March’s flower has to be the daffodil. 1 March is officially the first day of spring, whatever the weather, and there will be plenty of daffodils already sporting their yellow glory on that date. It is also St David’s Day and the daffodil is the national flower of Wales. The Welsh name for a daffodil translates as Peter’s Leek and the Welsh are supposed to sport both plants that day – though one imagines the daffodil might prove the more fragrant buttonhole. Most of our daffodils are cultivated varieties but there are still some genuinely wild ones in Britain, sadly now limited to relatively few sites.

The wild ones are smaller and daintier than the cultivars with a characteristic two-tone effect of paler petals surrounding a darker yellow trumpet. They used to flourish widely in damp meadows and old woodlands, many of which have now been destroyed for development, but you can still see them at various sites in SW England and we have a wonderful local display here in Butley Woods. The most famous wild daffodils, however, must be those in the Lake District, which were celebrated in William Wordsworth’s poem, I wandered lonely as a cloud. Wordsworth was inspired to write this by a walk he took with his sister Dorothy in 1802 at Ullswater, where they delighted in the glorious profusion of daffodils along the lake shore:
Ten thousand saw I at a glance
Tossing their heads in stately dance

The poem is a national favourite, but what may be less well known is that William cribbed some of his best lines from his sister Dorothy’s diary notes. Poetic licence? Or sexist sibling rivalry?

Matching flowers to months is becoming more difficult. William and Dorothy’s epiphany was in April not March. Scientists have calculated that as the climate heats up plants are now flowering 42 days earlier on average than on the same date before 1986. Nice in a way, but this creates serious disruptions to nature’s careful synchronisation of things like the hatching of bird chicks with the emergence of caterpillars, while farmers could lose a whole crop of flowering fruit trees to a late frost. Maybe the florists will prove right and we will one day have wild carnations blooming in January, but be careful what you wish for.
Jeremy Mynott

Village Voices Nature Note: a Herald, but of what?

01 Feb 2022
I went into my woodshed on the last day of the year and was greeted by a In my woodshed on the last day of the year I was greeted by a Herald. Not a Herald, not some reveller dressed up for a New Year’s Eve party with a trumpet reveller dressed up for a New Year’s Eve party with trumpet and tabard, but a and a tabard, but a moth and a lovely one at that. The Herald is quite a large, moth and a lovely one at that. The Herald is quite a large, furry moth, with a furry moth, with an imposing delta-winged shape and beautifully scalloped r delta-winged shape and beautifully scalloped rear-edges to the wings. This one ear-edges to the wings. This one was glowing with colour: it had bright orange was glowing with colour: it had bright orange flashes on its wings with shades flashes on its wings, with shades of pink and purple when it caught the light, of pink and purple when it caught the light, bold white cross tramlines with bold white cross tramlines with some finer lines of tracery running down to the finer lines of tracery running down to the wings’ edge and to finish it off, some wings’ edges and to finish it off, some neatly positioned white and black spots. neatly positioned white and black spots. Quite a spectactle - and a surprise too Quite a spectacle – and a surprise too, since you rarely find moths hibernating ince you rarely find moths hibernating through winter, though a few butterflies through the winter, though a few butterflies like Peacocks do.

The Herald Moth’s name may be meant to recall the flaring skirts of the medieval herald’s traditional costume, but its scientific name libatrix suggests dieval herald’s traditional costume, but its scientific name, suggests an alterna- an alternative explanation. Libatrix literally means meant ‘someone who pours a libation’, so maybe we are supposed to imagine the moth as a Roman priestess in her fine robes, pouring a libation to the gods or we could update that and think of it as someone raising a glass to greet the New Year with a rousing `Good Health’. Well, let’s hope so. My moth will emerge from hibernation in March or April, and what will our world be like then? Who knows? A month is a long time in a pandemic.

I’m uneasy. I think it was the exceptionally mild weather that made this Herald more active. Daffodils are already shooting up their green spears and may be flowering as you read this. I saw a bumblebee on the ivy the other day and birdwatchers have just spotted the first swallows of the year in Cornwall. We had the warmest ever New Year’s Day and people turned out in crowds to enjoy the unseasonable temperatures but we know this isn’t normal – or didn’t used to be. Some early stages of climate change may seem quite pleasant round here, but look round the world: tornados in the American mid-West, Typhoon Rai in the Philippines, record fires and snowfalls in Colorado, a heatwave in Bilbao. This is the ‘new normal’ and it’s coming our way. Expect the unexpected.

At COP 26 last November – remember that? – we were given some reasons to be hopeful. But have the promises already been forgotten? Can we still turn things round? Perhaps the wise advice is to think like pessimists and behave like optimists.
Jeremy Mynott

Village Voices Nature Note: Strange Combinations

03 Jan 2022
Have you been doing quizzes over the Christmas break? I was stumped by one of those Codeword puzzles the other day. I was looking for a seven-letter word with ‘tj’ in the middle, which is a rare combination in English. I could only come up with ‘straightjacket’, ‘bootjack’ and ‘nightjar’ – all of them too long. Well, the answer turned out to be ‘muntjac’, which I should have thought of since I’d just seen one in Shingle St, ducking hurriedly into a shrubbery.

Muntjacs are not a native species and they still look rather strange in an English landscape. The unusual name is a clue to their origins. It’s derived from a Dutch word, which in turn comes from the Sundanese, a language from Java in the Dutch East Indies. Muntjacs are animals of Asian rainforests and were first introduced into Britain in 1925 by the 11th Duke of Bedford for his wildlife park at Woburn. Inevitably, some escaped and they have now spread rapidly northwards, reaching as far as Scotland and even Northern Ireland (assisted passage, presumably).

This explains some of their unusual physical features, too. They are our smallest deer – about the size of a large dog – and have a most unusual profile, with the hindquarters higher than the front end, so that they always seem to be walking downhill. That’s an adaptation to enable them to move easily through the dense vegetation of the monsoon forests which are their natural home. It also explains their shyness – they are safe from predators in that dark tangle and communicate with each other more by sound than sight, hence their other common name of ‘barking deer’.

Sex again, I’m afraid.They breed all the year round and the females can conceive immediately after giving birth, so there’s always plenty to bark about. If you hear eerie barks and screams round here at night, it’s more likely to be muntjac than your neighbours.

Their other spooky adaptation is a set of long recurved fangs, very prominent in the males and quite disconcerting if you encounter one close up. Most deer have large antlers for mating displays, but those would just get caught up in undergrowth in the jungle. Moreover, the muntjac’s tusks are hinged and can be folded away when not needed for combat – so more like flick-knives than daggers. Neat!

It’s always a risk introducing a new species into an established habitat and muntjac do quite a bit of damage here browsing bushes and cropping such much-loved woodland flowers as bluebells and primroses.

But I gather from a game-keeper I know that their venison makes very good eating, so maybe that points to a solution?
Jeremy Mynott

Village Voices Nature Note: Let there be Dark

01 Dec 2021
I’m writing this on 1 November, when we have just changed the clocks and plunged deep into darkness until 27 March next year. I wish we could just stay with Summer Time myself, as the EU plans to do and as (little-known fact) we actually did in Britain experimentally from 1968-71; but then the Scottish farmers weighed in and said it was unfair to cows to change their milking times. Why even tell the cows if they have a problem with it, I wondered at the time, but maybe I was missing a point about circadian rhythms.

These are the automatic systems that constitute our 24-hour body-clocks and they manage all kinds of bodily functions like sleep patterns, mental alertness, cell
regeneration and brain-wave activity. They are triggered by changes from light to dark and are called circadian from the Latin circa diem about a day. All animals and plants have them – they control the precise timing of things like hibernation, reproduction and migration. You can watch some flowers literally closing down for the night as dusk falls.

We used to do that too, but in the last hundred years or so we have found two ways of scrambling these control mechanisms. First, we can travel rapidly through time zones, delaying the onset of night by five hours, for example, if we fly to New York – hence jet-lag. Secondly, we are the only species that now lives a good proportion of its life in artificial light, which we had never evolved to do in the millennia before electricity arrived in every home – hence insomnia.

We’re also increasingly inflicting this insomnia on the natural world, through light pollution in our big cities. It wasn’t a nightingale that sang in Berkeley Square, it was almost certainly a robin, confused by the street lights into think- ing that dawn had arrived. We read of baby turtles in Florida heading back up the beach to certain death instead of following the light of the horizon down to the sea. One study in the US estimated that some five million birds might die each year from becoming disoriented in migration and colliding with tall build- ings. And probably billions of insects perish in the glare of lights to which they are irresistibly attracted, so in turn depriving insectivorous songbirds of their usual food supply and further depleting their numbers too. As for glow-worms and fireflies, forget it: the ingenious courtship signals developed over millions of years of evolution are completely lost against the backdrop of skyglow.

Just look at this satellite picture of London by night. Soon everywhere will be over-lit ... except Shingle Street, I hope.
Jeremy Mynott

Village Voices Nature Note: Back to School?

01 Nov 2021
How much do young people know about nature? Do they ever look up from their phones for long enough to actually see anything? We may be about to find out since there are plans to introduce a new GCSE in Natural History and the Cambridge University Exams Board is right now working out a curriculum. As a taster, they sent round these sample questions below.

1. Grampy pig, hardback and curly bug are all common names for a:
(a) earwig; (b) woodlouse; (c) centipede?

2. Muntjac deer are the size of a:
(a) domestic cat; (b) large dog; (c) cow?

3.Is a slow worm a:
(a) worm; (b) snake; (c) lizard?

4. Horseshoe, pipistrelle and bechstein are all UK species of:
(a) bat; (b) deer; (c) orchid?

5. Which of the following is a visitor to the UK (ie, not resident):
(a) little tern; (b) song thrush; (c) wren?

6. Dead man’s finger (Xylaria polymorpha) is common in woodlands. Is it a:
(a) fruit; (b) fungus; (c) flowering plant?

7. A glow-worm is:
(a) a beetle that can chemically produce light; (b) a worm with a glowing tail; (c) a beetle that rubs its wings together to produce sparks?

8. You are walking in the countryside and find a deep 15cm conical hole with foul-smelling liquid poo in the bottom. Is it:
(a) a rabbit toilet; (b) a badger latrine; (c) fox poo?

9. How many eggs do long-tailed tits lay:
(a) 5-8; (b) 8-15; (c) 16-20?

10. Which of the following species is native to the UK?
(a) sycamore tree; (b) brown hare; (c) wildcat

11. How do mussels attach to rocks:
(a) with strong, sticky threads; (b) clamp on with their muscles; (c) small tube feet?

12. The turtle dove has declined by over 90% since the 1970s. The main reason is:
(a) hunting by humans; (b) predation from other animals; (c) loss of habitat?

13. Is a brown argus:
(a) a butterfly; (b) a moth; (c) a dragonfly?

14. How fast does a gannet hit the surface of the sea when diving for
(a) 20mph; (b) 60mph; (c) 100mph?

15. How many different species of beetle are there in the UK:
(a) 150; (b) 1,300; (c) 4,200?

I reckon some of these are quite difficult, so top of the class if you got twelve or more right. But if it was under five, now’s your chance to add another qualification to your cv. Never too late. Answers below: Don’t cheat!

Answers: 1b, 2b, 3c, 4a, 5a, 6b, 7a, 8b, 9b, 10c, 11a, 12c, 13a, 14b, 15c
Jeremy Mynott

Village Voices Nature Note: the Humbler Creation

01 Oct 2021
There’s plenty of public support for protecting charismatic species of wildlife like golden eagles, beavers, red squirrels, swallowtail butterflies and oak trees – even domestic alpacas, just recently. But what about the humbler creation, as the hymnist put it, of insects, beetles, and worms that actually make the world go around? Especially worms. Worms have traditionally been regarded as the lowest form of life. The word itself comes from the Latin vermes from which we get vermin, and to call someone a worm suggests they are beneath contempt. But as any farmer will tell you worms are critical to the health of the land. They devour and recycle dead vegetation, and act as tiny ploughmen to aerate, drain and fertilise the earth. The richer the soil the more earthworms there will be in it, so those worm- casts on your neatly cut lawn are more like compliments than disfigurements. It’s been estimated that in an acre of good pasture there may be a greater weight of worms under the soil than there is of live stock above it.

All the great naturalists in history have praised worms. Aristotle called them the intestines of the soil, while Charles Darwin studied them for over 40 years and observed, It may be doubted whether there are any other animals which have played so important a part in the history of the world. My favourite worm quote, however, comes from the peerless Gilbert White, curate of a small village in Hampshire, whose Natural History of Selborne (1789) is said to be the fourth most published book in the English language (after the Bible, Shakespeare and John Bunyan). White is the spiritual father of all today’s nature diarists (including me) and Selborne is the record of his daily observations in his tiny parish, which he rarely ever left. Here he is extolling the worm and making a very modern point about the interconnectedness of all life:

The most insignificant insects and reptiles are of much more consequence, and have more influence in the economy of Nature, than the incurious are aware of; and are mighty in their effect... Earthworms, though in appearance a small and despicable link in the chain of nature, yet, if lost, would make a lamentable chasm. For, to say nothing of half the birds, and some quadrupeds, which are almost entirely supported by them, worms seem to be the great promoters of vegetation, which would proceed but lamely without them.

In some cultures we become part of this chain too by eating worms – the Maori traditionally regarded them as a great delicacy; and in most others we willingly submit to the reverse process on death ...
Jeremy Mynott

Village Voices Nature Note: Benign Neglect

01 Sep 2021
Sometimes the best form of conservation action is inaction. The poet Gerard Manley Hopkins visited Loch Lomond in 1918 and afterwards wrote these lines, entranced by the wonders of its wild and untouched nature:

What would the world be, once bereft
Of wet and of wildness?
Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.


Further south, it sometimes feels as though we are waging a war on wildness. We transfer the house-proud virtues of keeping our homes clean and tidy on to the countryside itself, as if it was a kind of extension of our living rooms. Take the case of roadside verges. There’s no need to keep these shorn like carpets, as many landowners and local councils do. We have over 300,000 miles of rural roadside verges in this country, so that’s a major natural resource, equivalent in size to about half of the whole area of flowering meadows and grasslands we still have left (and we’ve lost a terrifying 97% of those to agricultural or urban development in the last 75 years).

Our verges support over 700 species of flowers overall and that’s nearly half our total flora. Never mind that you might think some of them weeds if they were in your front garden. What’s a weed but a flower in the wrong place? I walked a length of our local verges in July and they were ablaze with vetches, trefoils, scabious, knapweed, thistles, ox-eye daisies, meadowsweet, clovers and cranesbill. And all these flowers in turn support legions of butterflies, moths, bees and other insects. The bird’s foot trefoil, for example, feeds some 130 species of invertebrates, and it’s estimated that just a mile of flower- rich verge can produce 20kg of nectar-sugar, enough to sustain several million pollinators like these.

Verges do need to be cut periodically, or else the weight of dying vegetation would eventually overwhelm them and stifle next year’s growth, but the time to do this is late in the summer, or even autumn, when seeds will have been shed. That way you maximise biodiversity, whereas a suburban neatness amounts to mass ecocide. The old Best-kept Village awards used to be judged partly on tidiness, but we know better now. The name verge comes from the Latin virga, the staff of official responsibility, indicating the extent of the holder’s power, and our civic responsibilities now extend to saving our declining wildlife. In parts of Suffolk selected verges have therefore been declared Nature Reserves – great idea! Long live the weeds and the wilderness yet.
Jeremy Mynott

Village Voices Nature Note: A Local Exotic

01 Jul 2021
A neighbour reported an unusual bird on their lawn the other day. They wondered if it could be some exotic visitor from overseas. It was quite large, they said – the size of jackdaw but slimmer and very brilliantly coloured, flashing a bright yellow rump in a V-shape up the soft green back. And it sported a most striking head pattern with a black mask enclosing a white eye, topped off with a scarlet crown. It wouldn’t have looked out of place in a tropical jungle, but here it was hopping about on the grass in front of their house. When disturbed, it flew off in a bounding flight and appeared to clamp itself, as if magnetised, on to the trunk of a nearby willow.

Well, that was a very good description of what is certainly a charismatic bird, but not in this case an exotic one – it’s a common British resident, the green woodpecker. We naturally associate all our native woodpeckers with trees, as their name suggests, and they do indeed use their powerful dagger bills to excavate nest holes in tree-trunks, probe the bark for grubs and drum on hollow branches to advertise their presence both to rivals and potential mates. But the green woodpecker has also developed this further habit of using its formidable drilling equipment to dig into ant colonies in our lawns and lick up the inhabitants with their specially adapted tongues.

The artist Leonardo da Vinci, who observed everything with insatiable curiosity, was fascinated by woodpecker tongues – why were they so long, he asked, and how were they housed in the woodpecker’s head when they were retracted? The answer was later revealed by dissection and is illustrated in this little diagram of a skeleton: the tongue is literally wrapped around the brain and its elastic movements are controlled by specially adapted bony cartilages.

In spring, the male green woodpecker has a very distinctive territorial call, a descending peal of (usually seven) loud ‘laughing’ notes that gave the bird its old country name ‘yaffle’. Another folk name was ‘rain bird’. It was widely believed that the yaffle’s call presaged rain, which would bring out the insects on which the bird feeds. An easy prediction to make in Britain, perhaps, when it is always about to rain anyway, but quite false. Possibly it derived from an even older, more primitive belief in the woodpecker as the ‘thunder bird’, who summons up the rain with his resounding drum-roll and wears the red badge of lightning on his crest.

Anyway, no need to invoke foreign exotica with such wonders close to home.
Jeremy Mynott

Village Voices Nature Note: The Sign of Summer

01 Jun 2021
I’ve been keeping a log-book. Literally. I’ve been very restricted in my walking recently by a hip-problem (now fixed, I hope), but I found a mossy old log by the river I could just get to and rest on, completely out of sight. I’ve been sitting quietly on that, making notes on what comes by. It’s a quite different kind of nature-watching from the one I’m used to – striding out freely and actively exploring the world. But it turns out to have its own compensations when you adjust to it, which you have to do mentally as well as physically. Your world has shrunk to a radius of a few yards, but it’s still teeming with life. And instead of pursuing nature you just have to be still and let it come to you. Which it does, surprisingly quickly.

After a few minutes, I hear a rustling very close by. A beetle? A mouse? No, it’s a wren, working its way busily through the undergrowth, picking up tiny insects invisible to my eye with deft little pecks and pounces. I don’t move a muscle, trying to look like an extension of the log. The wren’s nearly at my feet when it senses an unusual presence and flicks a little way off to continue its rummaging, but not before I get my best-ever view of its subtly variegated dead-leaf colours and the stiff little cocked tail.

Now a moorhen paddles slowly by in the river and a male blackcap sings from a branch – so close that its pure fluting song is almost too piercing. After an hour of immobility, I’m almost a woodland feature. A seven-spot ladybird lands on my hand, some wood ants investigate my boots, and the wren makes another pass, more boldly this time. And now a butterfly settles right next to me in a patch of sunlight – a male orange-tip. What a beauty! This is the first I’ve seen this year and it really does capture the spirit of spring with those sunshine orange flashes on its wings. Soon there will be lots of them on the wing searching out their favourite plants, garlic mustard and lady’s smock, both them just coming into flower with perfect timing. The orange-tip’s Latin name is Anthocharis, flower grace, and the French call it L’aurore, the dawn, a nice suggestion of a new beginning.

Some people walk by just the other side of the river, another interesting species that doesn’t notice me, or much else. There’s a move to re-wild our landscapes, but I emerge from my immersion in nature feeling that we could all do with some rewilding ourselves. We’re part of nature too.
Jeremy Mynott

Village Voices Nature Note: Sounds of Spring

03 May 2021
All the talk is of a ‘return to normality’. Yes, but as Aesop reminded us in one of his moral fables, we should be careful what we wish for. One of the compensations of lockdown has been that people have been exploring their immediate surroundings much more closely than ever before and seeing all sorts of things that were always there but unnoticed. Hearing them, too – for one of the revelations of the first lockdown was how transformative it was to be spared the noise pollution of air and road traffic and hear natural sounds again with such clarity. The buzzing of bees, the gentle soughing of leaves, a babbling stream, and above all the chorus of spring birdsong – all balm to the ear. It felt like a new experience, but it’s also an ancient one. Here is the Greek poet Theocritus, celebrating the sounds of summer in the third century BC:

Over our heads many an aspen and elm stirred
And rustled, while nearby a sacred spring
Gurgled gently, welling up from a cave.
In the shady foliage of the trees the dusky
Cicadas were busy chirping, and some distant songster
Murmured from deep in the thorny thickets.
Lark and finch were singing, the turtle dove crooned,
And bees hummed and hovered, flitting hither and yon.

Well, that sounds pretty familiar, if you change cicadas to crickets and think back to the time when we did still have turtle doves and elms. But I worry about that ‘distant songster’. As the traffic builds up again, I’ve noticed that the softer and higher-pitched ‘murmurings’ of birds like goldcrests, coal tits and tree creepers are getting harder to pick out against the background din. And that isn’t just my ageing ears suffering what audiologists call the ‘cocktail party problem’ of picking out individual voices in a crowd. I seem to spend more time in the woods than at cocktail parties anyway, but the real problem is that now even the birds are finding it increasingly difficult to hear each other. Research shows that they are having to sing louder to be heard in the modern world and that many of them are having to abandon otherwise suitable habitats near busy roads for just that reason. I find that rather sad. Think of a visual world that consisted only of loud colours. Think of an orchestra that only had trombones, cymbals and drums. So much of the beauty of both the landscape and the soundscape depends on variety, subtlety and harmony.

The Aesop fable has a bleak ending by the way. I won’t close on a low note but you can check it out at: https://fablesofaesop.com/the-old-man-and- death.html.
Jeremy Mynott